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as well as heavy discounts from Old Fast Glass and other rental houses.
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Through networking and casually pitching the project to my peers, I was able to secure free rentals from Aputure, Deity Microphones, Atlas Lens Co. Not only can you demo the cutting-edge gear that will soon be on every film set, but you can also build relationships with the companies and people behind the brand, who are all amazing.
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are incredible opportunities for filmmakers of all levels to interact directly with the leading film equipment and software brands. Shortly after locking the script, I was shipped off to the NAB Tradeshow (National Association of Broadcasters) in Las Vegas to help create content for Aputure. I met many of my creative collaborators through Aputure (including the majority of my producers and crew on Petunia) and was granted many favors through work. I would highly encourage young filmmakers to consider working for film equipment companies if given the opportunity.
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In less than a month the script was locked, and it was time to figure out how to make it. I could be completely vulnerable and raw with my story. This is where Screenwriting 101 was instrumental I was interacting with a dozen strangers whom I may never see again. It was tender to revisit, revise, and edit. The story was all there, the beats were simple, and it poured out of me once the floodgates opened. Once we felt that we had fully grasped and recovered from the trauma of Petunia’s passing, I asked for my fianceé's blessing to tell Petunia’s story, and she granted it.The writing process was grueling but fast. We were cagey about the situation, not wanting others to think we did a “bad job” with the first pet we ever adopted. My fianceé and I struggled for months grappling with feelings of failure, grief, and depression. Several of his organs weren’t fully formed from birth, we were blindsided, he had been acting completely normal just days before.
About a year before writing this script, our newly adopted kitten, the titular Petunia, had to tragically be euthanized. until I was reminded that I had two months to complete it.Īfter all those years of trying to find a script that was emblematic of me, I first had to dig deep. I graduated as quickly as possible, fled to the opposite coast, and forgot about my hesis film entirely. When I thought I’d finally hit a breaking point, COVID-19 hit as well.
Professor Brown hounded me, for every idea I suggested he would rebuttal with: “Are you telling the truth?” I slowly realized the more I embellished, the more plastic my film felt. I had a script that was a jumbled mess of ideas, trying to tell a story that I lacked perspective and research on. The singular most important moment of my filmmaking journey was a seemingly innocuous meeting with my NYU thesis film professor, Alrick Brown. Your styles, sensibilities, genre, mood, tone. You have to write something that feels emblematic of you. For anyone who’s done a “Thesis Film,” this starting-point analysis-paralysis feels so much more severe. The blank page is the ultimate enemy of the creative. This post was written by Alec Cohen-Schisler. cube files into your timeline to apply the grade. Pixel Frame Studios has a free plugin dubbed FCPX Loader that allows you to import your own designed LUTs. Once loaded, you can apply the LUT. Adding a LUT to your footage is usually the first step in the color grading process, and if you're like me, usually the last, too.įCPX does provide several built-in LUTs in the Inspector under Log Processing-including ARRI LOG C, Blackmagic Design Film, Blackmagic Design 4K, Canon Log, Sony S-Log2 and Sony S-Log3-but, currently, you need to use a third-party plugin if you need to import your own custom LUTs. They change the color of an image by capturing the in-camera log color space or flat profile, and then converting that image to the color space of the designed LUT.
So what is a LUT? Jay Friesen went in detail about LUTs in a previous post, but essentially Look Up Tables are mathematical calculations that make up the difference between the source and result. We found a few solutions to show you how you can. If you're using Apple's Final Cut Pro X (v 10.2.3) to edit, you've probably run across its built-in LUT (Look Up Table) and found the inability to add your own LUTs natively.
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